New digital 400 meters long distance sans fil cordless system UHF singing Vocal dynamic professional
1.Works in the range of 80m
2.great frequency response
3.cardioid pickup pattern
4.stronger clearer signal and better sound quality
5.total freedom when you’re singing on stage
Wireless microphone parameters
| Main Frame Size | EIA-Standard 19" 1U |
| Channels | Dual Channel |
| Frequency Stability | ±0.005%, Phase Lock Loop frequency control |
| Carrier Frequency Range | UHF 510-937 MHz ( country dependent ) |
| Preset Channels | 32 preset channels |
| Operating Range | 100M typical ( in open space) |
| Oscillation | PLL synthesized |
| Sensitivity | 6dBμV, S/N>60dB at 25 deviation |
| Band Width | 30MHz |
| Max. Deviation Range | ±45KHz |
| S/N | ＞105dB |
| T.H.D. | ＜0.7% @ 1KHz |
| Frequency response | 45Hz～18KHz±1dB |
| Squelch | “PiloTone & NoiseLock” dual-squelch circuit |
| Power Supply | 100-240V AC50/60 Hz, 10W |
| Weight | 2KG |
| Dimension | 480(W) X 195(H) X 45(D) (mm) |
| Receiver Output Connector | XLR balanced & 6.3φ phone jack unbalanced |
GS-1 wireless microphone Advantages
• This UHF wireless microphone employs PLL frequency synthesized technology to provide highly stable,selectable frequencies,which ensures excellent sound quality and decreases drop-off.
• Infrared synchronization technology enhances frequency search and pairs up receiver and transmitter quickly.
• 1U standard cabinet design structure with metal shell, dual channel reception
• automatic selective reception mode is adopted to minimize reception interruption
• infrared data automatic synchronization function (sync)
• phase locked loop synthesis tuner (PLL) with the most stable characteristics can effectively block noisy RF interference in the environment
Application
Suitable for Large-scale performances ,small and medium-sized performances, outdoor singing and speeches, KTV boxes, classrooms, gymnasiums, offices and government agencies
Our factory: a one-stop factory for your ideal products
Tips:
Do not use it on the net head of the wireless microphone:
Many performers grasp the microphone net head with their palms, which is the worst posture that seriously destroys the sound quality and directivity of the microphone. Using the microphone in this posture, even if the most expensive microphone is selected, it will make the excellent characteristics of the original factory and lose the tuning!
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